| Title | : | Fall comes up |
| Name | : | Normand Brière |
| Country | : | Canada |
| : | ############# | |
| Webpage | : | www.noware.ca |
| Topic | : | The Contrast (July) |
| Copyright | : | Agreed - 2008-08-17 05:02:19 |
| JPG file | : | pw-1217473283-fallcomesup.jpg |
| Renderer Used | : | OpenGL (ARB fragment program) |
| Tools used | : | Homemade JAVA software + GIMP for text annotation |
| Render Time | : | 1 hour |
| Hardware Used | : | Macintosh Core 2 Duo, RadeonX1600 |
There is no light without darkness, no beauty without ugliness, and no good without evil. Nothing can be revealed without contrast.
The reason why the Tao cannot be named: it is written in black on black or white on white. It is not invisible, but it is not visible either, because it has no counterpart to make it known. It cannot be perceived, but it doesn't mean it doesn't exist.
However as long as humankind dares to think that the essence must be concrete, a vicious circle runs on destroying human mind. It becomes intoxicated with opposites, and moves away from unity.
The more people esteem talent, the more they create competition. Man even succeeded to compete against naturally flying living organisms, but not without a lot of effort and failures. Unfortunately, by overlooking his own spiritual nature, which never fail, the human society gets into the twists and turns of ignorance where the quest of knowledge negates itself.
Because filling the infinity is nothing but a waste of time where no actual evolution ever takes place. Little goes less, and then none. When such a vacuum occurs, what replaces it just may cause the disintegration of that society into irrelevancy.
Fall is coming up, the Yin and Yang symbol is about to fall down, and the spirit of Lao Tzu is about to fade out. What remains won't ever be more meaningful than chaos, unless human spirit comes back up again.
(Inspired by the Tao Te Ching)
This scene is of course based on NY Central Park which depicts an obvious contrast compared to its surrounding environment. Some further elements related to the topic were difficult to integrate into the text, namely the flag, the negative glow of Lao Tzu, the bird and Leonardo's vehicle, both of them composing a blurry foreground. The Yin and Yang symbol in the scene reveals a contrast within a contrast. Finally, the title itself is a pun that goes a long way.
Technically, the scene may look like really big, but it's not. I made some buildings and some were downloaded from public domain, but there are not that many. What I did is pseudo-random duplication which doesn't take more memory space. The Yin and Yang is made of multiple instances of the same tree. The file size is about 65 MB, but the "expanded" version of the same scene would use several GB.
The main problem was related to the memory of texture maps instead. When the graphic card seems not able to contain all textures, it leads to a major performance drop due to nonstop context switches and page faults. Instead of seconds, it took roughly one minute for rendering one sample per pixel. This is far from the maximum speed it could go. So about 1 hour was necessary for 8x8 sub-pixel samples. Unlike ray casting, adaptive oversampling is impossible with Z-buffer rasterization, but fog layers, soft shadows, and depth of field are still possible.
| General statistics | ||
| No of ratings | : | 14 |
| Min. overall rating | : | 21 (10 / 10 / 1) |
| Max. overall rating | : | 44 (12 / 15 / 17) |
| Sum of rating | : | 543 / 840 |
| Date uploaded | : | 2008-07-29 04:23:14 |
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